![]() One of my favorite setups that we never got around to doing was the Sally Sitwell doll. And he wanted to do the Rita thing more than anything so he moved it up. Discrepancies in perfect assistant full#But even though we had a full third season order Mitch was nervous that it would be reduced. being under house arrest and then we just jump right into the Rita miniseries which was originally planned for sweeps. One thing that sticks out like a sore thumb that even viewers can tell there's something missing is how "For British Eyes Only" opens with Ron's exposition dump about George Sr. In bottom of season two and season three we were setting up a lot of stuff. Oscar was going to be the only one living there who would always find himself in a different location that wasn't the same as when he entered.įuck yes. Discrepancies in perfect assistant plus#Plus the cabin would frequently be on the move, relocating and turning up in various places: outside the model home, the Balboa Towers and Bluth Company parking lots, impound lot (after Lucille has it towed), Oscar's lemon grove. ![]() They'd never actually encounter each other because they'd never be there at the same time. Multiple characters (Johnny Bark, Tobias (after Lindsay kicks him out) and Oscar) were going live in it simultaneously, completely oblivious to the others also living there. The cabin was going to be the new driving gag à la the stair car. We were all devastated about the cabin on the truck. I've already mentioned the Sally Sitwell Doll that got pushed out of season two. What were your favorite specific things that got cut from the show at various times? Jason never broke character and if he did it would be impossible to tell. Tony didn't even realize what had happened and kept going. My favorite mistake that made for a funny moment is in "Motherboy XXX" when Buster inadvertently causes the door to hit Michael in the head. I think "Bringing Up Buster" is the best episode of the series. There's a reason Tony Hale doesn't appear in the second episode, "Top Banana." We needed a whole episode to really show what was the deal with Buster. Many said they wouldn't watch the show if Buster was a regular part of it. Not that they were crazy about the pilot-those people are fucking idiots. The bolded parts were taken verbatim from a note handed down by some Fox suit. In "Public Relations" Jessie tells Buster: "I want you to stay in. That's why so many celebrity cameos were reduced to just them walking through the door. ![]() There was only so much that could be crammed into 22 minutes. It was more of a show for everyone involved with AD. Even though the episode is a little thin. And watch Happy Endings (ABC Wednesdays 10|9c)Įverything about "S.O.B.s" was great. There's just so many! And I have a busy week ahead of me. WATCH IT!Ĩ:00 Wow have I really been answering questions for this long? If I get a chance I'll come back to answer some more. But before I forget, I want to plug Happy Endings (ABC Wednesdays 10|9c). Brunch couldn't save me.ĥ:30 Gonna squeeze in a few more questions before I head out.Ģ:30 Sunday I've got some time to answer more questions. But be advised: I'm soo fuckin' hungover. Be back later (likely tomorrow).ġ:00ish I've got about an hour to answer more questions. ![]() Be back later.ġ0:30 It's Friday night in LA and I'm going out. My biggest contribution was coming up with the name Crindy.ħ:15 I'm gonna get a stew goin' (eat). I can tell you what season four would have been like. After Mitch Hurwitz I probably knew the most about what stories and plotlines were being setup and planned ahead for. Later I was responsible for keeping track of continuity. ![]()
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